The New Zealand censor at the Office of Film and Literature Censorship has just banned the PlayStation Vita role playing game, Criminal Girls: Invite Only
The censor explained the reasons for the ban on its website:
Firstly, the Classification Office called the game in due to concerns that the sexual content found within the game focuses on young persons and involves elements of sexual violence. However the Motivation sequences themselves do not encourage
the player to focus on the girls as young persons, and instead concentrates on presenting their embarrassment, powerlessness and humiliation in a sexualised manner. The dialogue clearly establishes that the girls are either unwilling to
participate, or naive about the player character's intentions. Then, once the Motivation is finished, the girls' reaction is positive. The lack of consent presented here - and the idea that Even if you have to force her 203 she'll end up enjoying
it - is a narrative that justifies rape and is presented solely for titillation.
This game requires players to engage with the female characters in sexualised situations where consent is not only absent, but where the protestations of the female characters are part of the attraction. There is a strong likelihood of injury to
the public good, including to adults from the trivialisation and normalisation of such behaviour, so the game is banned.
The game is PEGI 18 rated in Europe and ESRB M rated in the US.
Social media companies in Germany face fines of up to 50m euros if they fail to remove obviously illegal content in time. From October, Facebook,
YouTube, and other sites with more that two million users in Germany must take down posts containing hate speech or other criminal material within 24 hours. Content that is not obviously unlawful must be assessed within seven days.
Failure to comply will result in a 5m euro penalty, which could rise to 50m euros depending on the severity of the offence.
Facebook responded in a statement:
We believe the best solutions will be found when government, civil society and industry work together and that this law as it stands now will not improve efforts to tackle this important societal problem.
German MPs voted in favour of the Netzwerkdurchsetzungsgesetz (NetzDG) law after months of deliberation, on the last legislative day before the Bundestag's summer break.
Opponents responded the tight time limits are unrealistic, and will lead to accidental censorship as technology companies err on the side of caution and delete ambiguous posts to avoid paying penalties.
The bill has faced criticism from human right's campaigners. Many of the violations covered by the bill are highly dependent on context, context which platforms are in no position to assess, wrote the UN Special Rapporteur to the High Commissioner
for Human Rights, David Kaye. He added that the obligations placed upon private companies to regulate and take down content raises concern with respect to freedom of expression.
The law may still be chllenged in Brussels, where campaigners have claimed it breaches EU laws.
Blood Feast is a 2016 Germany / USA horror remake by Marcel Walz.
Starring Robert Rusler, Caroline Williams and Sophie Monk.
Fuad Ramses and his family have moved from the United States to France, where they run an American diner. Since business is not going too well, Fuad also works night shifts in a museum of ancient Egyptian culture. During these long, lonely nights
he is repeatedly drawn to a statue representing the seductive ancient goddess ISHTAR. He becomes more and more allured by the goddess as she speaks to him in visions.
The films producers have just announced that the film has been cut for am MPAA R rating. Hannover House CEO Eric Parkinson explained:
Some markets are unable to screen an unrated film. The decision to seek the MPAA rating for Blood Feast was tailored after a similar development impacted the release of Saw a few years back. So the film has been very modestly edited to conform to
the film ratings standard that should make it accessible to a larger audience.
Previously the film has been shown, presumably uncut, on the film festival circuit, notably at London's FightFest.
The film will be released to US theatres on July 28th and the censorship publicity has help enable a wide distribution.
Ghana's TV censor, the National Media Commission (NMC) has ordered three of the country's public TV channels to immediately stop
broadcasting pornography, saying actual sexual intercourse between humans should at no time be transmitted with no exceptions. After complaints, the NMC said the channels' broadcasts didn't meet the NMC's broadcasting standards.
The TV channels, XYZ TV, Thunder TV and Ice TV told the regulator they're broadcasting pornography because some other TV channels that they compete with are also doing it.
One of the channels, Ice TV, that said it will abide by the directive, has reportedly now threatened the NMC with court action over the decision, saying they want Ghana's courts to give clarification on whether the regulator has the right to stop
it from airing pornography on Ghana's free-to-air TV airwaves.
Children's cartoon Ballerina exists in 2 versions due to the word 'bitch' in a soundtrack song
26th June 2017
Ballerina (aka Leap!) is a 2016 France / Canada children's musical cartoon by Eric Summer and Éric Warin.
Starring Elle Fanning, Dane DeHaan and Maddie Ziegler.
Set in 1879 Paris. An orphan girl dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.
UK: A cut Edited Version was passed U uncut for mild threat for:
As Policy Director David Miles is the principal adviser on policy and public affairs to the Chief Executive. He is responsible
for coordinating the BBFC's policy work and managing and leading on its public affairs effort. The role is also responsible for managing the BBFC's research, communications and education programmes.
David Miles, BBFC Policy Director said: The BBFC is an intelligent and innovative organisation with a growing remit online, as well as an important legacy as a British institution and one of the most respected film and video regulators in the
world. I am very pleased to join the BBFC as its Policy Director and look forward to working with all BBFC staff to ensure the BBFC's Classification Guidelines continue to adapt shifting public opinion and the BBFC provides the best possible,
transparent and accessible guidance for anyone making a film, DVD/Blu-ray or VOD viewing decision for themselves or on behalf of children.
I also look forward to the opportunity to work on the BBFC's proposed role as the age verification regulator for pornography online, a significant and vital step in reducing children's exposure to online pornography available in the UK, and a role
I believe the BBFC is well equipped to fulfil.
David joined the BBFC as a consultant in February 2017, before his appointment as Policy Director in June 2017. Prior to this David held a wide range of executive leadership roles in the technology and charitable sector, including IBM and the
Family Online Safety Institute (FOSI). He is currently a member of UNICEF's Expert Panel for the Global Fund to End Violence against Children, as well as former Executive Board member of the UK Council for Child Internet Safety (UKCCIS) and chair
of several key working groups. David is a Freeman of the City of London and a member of the Worshipful Company of Information Technologists (WCIT), one of the Livery Companies of the City of London. The Company received its Royal Charter in 2010.
a. A virtual tour link for a bathroom installation on www.hdsbuilders.co.uk, seen on 21 March 2017, featured an image of a naked woman showering.
b. A still image from the virtual tour, showing the naked woman, with the option to click on the tour, was seen on the home page of www.wetroomswales.co.uk on 15 May 2017.
A complainant challenged whether the image of the naked woman in ads (a) and (b) was offensive and unsuitable for display in an untargeted medium.
HDS Builders said people did not shower wearing clothing and therefore the image of the naked woman showering was appropriate for a virtual tour of a bathroom installation. They appreciated that some people might not find the image acceptable, but
no intimate body parts were visible and they did not believe it was indecent.
ASA Assessment: Complaint upheld
The ASA acknowledged that someone using a shower would be naked, but considered that it was not essential to use such an image in order to explain how a shower worked or to highlight a bathroom installation. Although the image had some relevancy
to a bathroom and shower, we nonetheless considered it was likely to be seen as sexist and to demean women by using their physical features for no other reason than to draw attention to the advertising.
The woman was fully nude, shown full length side on, with her bottom sticking out, her back arched and with some of her breast visible under her folded arms. In light of the nudity, we considered the pose was provocative and could be seen to be
sexually suggestive with the tone further enhanced in the virtual tour in ad (a) because it was possible to freeze the image, zoom in and out and change the angle.
We considered that, because the websites were for a builder, consumers would not expect to see a naked woman either on the home page of ad (b) or at the start of the virtual tour in ads (a) and (b), and the image had the potential to be seen by
many people who were likely to find it offensive.
We therefore concluded that the ads were inappropriately targeted and, because of the amount of nudity and the woman's sexually provocative pose, the image was likely to cause serious offence.
The ads must not appear again in their current form. We told HDS Builders not to use similar images in its advertising in future.
There are references to a review of Counter-terrorism and a Commision for Countering Extremism which will include Internet-related policies. Although details are lacking, these may contain threats to privacy and free speech. The government has
opted for a "Digital Charter", which isn't a Bill, but something else.
This isn't a Bill, but some kind of policy intervention. Perhaps the Digital Charter
will be for companies to voluntarily agree to, or a statement of government preferences. It addresses both unwanted and illegal content or activity online, and the protection of vulnerable people. The work of CTIRU and the IWF are mentioned as
examples of work to remove illegal or extremist content.
At this point, it is hard to know exactly what harms will emerge, but pushing enforcement into the hands of private companies is problematic. It means that decisions never involve courts and are not fully transparent and legally accountable.
There will be a review of counterterrorism powers
. The review includes "working with online companies to reduce and restrict the availability of extremist material online".
This appears to be a watered down version of the Conservative manifesto commitment to give greater responsibility for companies to take down extremist material from their platforms. Already Google and Facebook have issued public statements about
how they intend to improve the removal of extremist material from their platforms.
Commission for Countering Extremism
will look at the topic of countering extremism, likely including on the Internet.
This appears to be a measure to generate ideas and thinking, which could be a positive approach, if it involves considering different approaches, rather than pressing ahead with policies in order to be seen to be doing something. The quality of
the Commission will therefore depend on their ability to take a wide range of evidence and assimilate it impartially; it faces a significant challenge in ensuring that fundamental rights are respected within any policy suggestions they suggest.
Data Protection Bill
A new Data Protection Bill
, "will fulfil a manifesto commitment to ensure the UK has a data protection regime that is fit for the 21st century". This will replace the Data Protection Act 1998, which is in any case being removed as the result of the new
General Data Protection Regulation
passed by the European Parliament last year. Regulations apply directly, so the GDPR does not need to be 'implemented' in UK law before Brexit.
We welcome that (at least parts of) the GDPR will be implemented in primary legislation with a full debate in Parliament. It is not clear if the text of the GDPR will be brought into this Bill, or whether it supplements it.
This appears to be a bill to at least implement some of the 'derogations' (options) in the GDPR, plus the new rules for law enforcement agencies, that came in with the new
law enforcement-related Directive
and have to be applied by EU member states.
The bulk of the important rights are in the GDPR, and cannot be tampered with before Brexit. We welcome the chance to debate the choices, and especially to press for the right of privacy groups to bring complaints directly.
Facebook is launching a UK initiative to train and fund local organisations it hopes will combat extremism and hate speech. The UK Online Civil
Courage Initiative's initial partners include Imams Online and the Jo Cox Foundation.
The recent terror attacks in London and Manchester - like violence anywhere - are absolutely heartbreaking. No-one should have to live in fear of terrorism - and we all have a part to play in stopping violent extremism from spreading. We know we
have more to do - but through our platform, our partners and our community we will continue to learn to keep violence and extremism off Facebook.
Last week Facebook outlined its technical measures to remove terrorist-related content from its site. The company told the BBC it was using artificial intelligence to spot images, videos and text related to terrorism as well as clusters of fake
Facebook explained that it was aiming to detect terrorist content immediately as it is posted and before other Facebook users see it. If someone tries to upload a terrorist photo or video, the systems look to see if this matches previous known
extremist content to stop it going up in the first place.
A second area is experimenting with AI to understand text that might be advocating terrorism. This is analysing text previously removed for praising or supporting a group such as IS and trying to work out text-based signals that such content may
be terrorist propaganda.
The company says it is also using algorithms to detect clusters of accounts or images relating to support for terrorism. This will involve looking for signals such as whether an account is friends with a high number of accounts that have been
disabled for supporting terrorism. The company also says it is working on ways to keep pace with repeat offenders who create accounts just to post terrorist material and look for ways of circumventing existing systems and controls.
Facebook has previously announced it is adding 3,000 employees to review content flagged by users. But it also says that already more than half of the accounts that it removes for supporting terrorism are ones that it finds itself. Facebook
says it has also grown its team of specialists so that it now has 150 people working on counter-terrorism specifically, including academic experts on counterterrorism, former prosecutors, former law enforcement agents and analysts, and engineers.
One of the major challenges in automating the process is the risk of taking down material relating to terrorism but not actually supporting it - such as news articles referring to an IS propaganda video that might feature its text or images. An
image relating to terrorism - such as an IS member waving a flag - can be used to glorify an act in one context or be used as part of a counter-extremism campaign in another.
Sony have been regularly 'sanitizing' their movies but cutting down the violence and strong language so as to make
them suitable for children. These versions are targeted at airlines and daytime TV but earlier this month Sony decided to make these sanitised versions available to download at home, choosing 24 titles:
50 First Dates, Battle Of The Year, Big Daddy, Captain Phillips, Crouching Tiger Hidden Dragon, Easy A, Elysium, Ghostbusters, Ghostbusters II, Goosebumps, Grown Ups, Grown Ups 2Hancock, Inferno, Moneyball, Pixels, Spider-Man, Spider-Man 2,
Spider-Man 3, The Amazing Spider-Man, The Amazing Spider-Man 2Step Brothers, Talladega Nights: The Ballad of Ricky Bobby, White House Down
The censorship cuts are typically very extreme. For example, the clean version of Will Ferrell comedy Step Brothers - originally given an R rating for crude and sexual content according to Sony - has had 23 instances of violence taken out,
152 of bad language and 91 of sexual content.
The Drew Barrymore and Adam Sandler romcom 50 First Dates had a PG13 for crude sexual humour and drug references. Its clean version has 10 violent moments taken out, 34 uses of bad language and 34 instances of sexual content.
Matt Damon sci-fi film Elysium , which also had an R rating for bloody violence, had 18 of those violent moments taken out, 63 uses of bad language and one instance of sexual content.
Horror comedy Goosebumps was a PG when it came out - so could be described as family-friendly already. But its clean version had four fewer incidences of violence, with five uses of bad language and five examples of nudity taken out too.
But now they've had to backtrack after filmmakers complained about the vandalisation of their works. After an outcry, the president of Sony Pictures Home Entertainment, Man Jit Singh, said their directors were of paramount importance to us and
they wanted to respect those relationships to the utmost:
We believed we had obtained approvals from the film-makers involved, for use of their previously supervised television versions as a value-added extra on sales of the full version. But if any of them are unhappy or have reconsidered, we will
discontinue it for their films.
Seth Rogen was one of the first to react when news of Clean Version emerged. He pleaded, adding a swear word for emphasis, please don't do this to our movies.
The Directors Guild of America (DGA) has said the hard-fought-for rights that protect a director's work and vision are at the very heart of our craft and a thriving film industry.
An ad for Revo Turf, an artificial grass supplier and installer, seen in the landscape gardening trade magazine Pro
Landscaper on 4 April 2017, featured an image of a woman's legs from the knee down. Her legs were bare and she was wearing high heels, and standing on artificial grass. Large text stated The best way to get laid ..., followed by a description of
the advertiser's products in smaller text. The description concluded The Turf Group is the only place to get a good lay.
The complainant challenged whether the references to getting laid in combination with the image were offensive.
ASA Assessment: Complaint upheld
The ASA understood that laying turf was a commonly used term in the landscaping sector. We also acknowledged that the image of the woman's legs was not sexually explicit. However, we considered that when the image was combined with the headline
The best way to get laid and the further text The Turf Group is the only place to get a good lay, the references would be understood as a double entendre linking the landscaping terminology of laying turf with the slang terminology of getting
laid. We considered that connection had the effect of demeaning and objectifying women by presenting them as sexual objects in order to draw attention to the ad. We therefore concluded the ad was likely to cause serious offence to some consumers.
The ad must not appear again in its current form. We told Pile Height Ltd t/a Turf Group to ensure that future ads did not portray women in a manner that objectified them and which was likely to cause serious or widespread offence.
German authorities want the right to look at private messages on services such as WhatsApp to try and prevent terrorism.
Ministers have also agreed to lower the age limit for fingerprinting minors to six from 14 for asylum seekers.
Ministers from central government and federal states said encrypted messaging services, such as WhatsApp and Signal, allow militants and criminals to evade traditional surveillance. We can't allow there to be areas that are practically outside the
law, interior minister Thomas de Maiziere told reporters.
Among the options Germany is considering is source telecom surveillance, where authorities install software on phones to relay messages before they are encrypted. That is now illegal.
Austria is also planning laws to make it easier to monitor encrypted messages as well as building out a linked network of cameras and other equipment to read vehicle licence plates.
Open Rights Group has responded to Theresa May's post-election hints that she will continue with Conservative plans for Internet clampdowns.
Executive Director Jim Killock said:
To push on with these extreme proposals for Internet clampdowns would appear to be a distraction from the current political situation and from effective measures against terror.
The Government already has extensive surveillance powers. Conservative proposals for automated censorship of the Internet would see decisions about what British citizens can see online being placed in the hands of computer algorithms, with
judgments ultimately made by private companies rather than courts. Home Office plans to force companies to weaken the security of their communications products could put all of us at a greater risk of crime.
Both of these proposals could result in terrorists and extremists switching to platforms and services that are more difficult for our law enforcement and intelligence agencies to monitor.
Given that the priority for all MPs is how the UK will negotiate Brexit, it will be especially hard to give the time and thought necessary to scrutinise these proposals.
It could be tempting to push ahead in order to restore some of Theresa May's image as a tough leader. This should be resisted. With such a fragile majority, greater consensus will be needed to pass new laws.
We hope that this will mean our parliamentarians will reject reactionary policy-making and look for long-term, effective solutions that directly address the complex causes of terrorism.
A Thai man has been jailed for 35 years for Facebook posts critical of the royal family in one of the most extreme sentences handed down for a
crime that insulates Thailand's ultra-rich monarchy from criticism.
A Bangkok military court convicted him of 10 counts of lese-majesty for posting photos and videos of the royal family on a Facebook account that purported to belong to a different user. The man, whose last name was withheld to protect his
relatives, was accused of using the account to slander a former friend, said iLaw, a group that tracks royal defamation cases.
The court punished him with seven years per count. Altogether he was given 70 years, but it was reduced in half because he confessed.
Later on Friday, a criminal court sentenced another lese-majesty victim to two and a half years in jail for uploading an audio clip from an underground political radio show that was deemed insulting to the monarchy.
The United Nations' rights body has warned that Thailand's widespread use of the law may constitute crimes against humanity.
A cinema ad for Responsible Gambling Trust, seen in February 2017, showed a young woman sitting on her bed while an
older man sat on a desk in the corner of the room. The older man said, in a sinister and menacing way, What is it? What is it? It's just a bit of fun. Hey [laughs] it's just a bit of fun. It's just a bit of fun. Remember that rush. The best
feeling you've ever had. Your words, it was perfect, you said it was. It was 10 out of 10; it was 100 out of 100. You tingled, you tingled. Your whole body was tingling. Don't tell me you don't remember that, you remember that, you remember every
second of that. You of all people need to have a little bit of fun. Fun 206 fun 206 fun. You are a great winner; I'm not just saying that. I'm saying it, you're a great winner. [Laughs] You and me let's go, let's do it again, let's do it again.
You love it there, I love it there; you always win there. You're a winner there, you and me now. That place that you've never felt so good. During the monologue close up shots focused on his eyes and mouth. After the monologue, the girl went over
to the desk where the man had disappeared and a laptop was revealed in his place. On the screen a bingo game was shown and she appeared to sign in and play. Large text then stated BeGambleAware.org.Issue
The complainant, who believed the role of the male character could be interpreted as predatory and sexually abusive, objected that the ad was likely to cause offence and distress.
Responsible Gambling Trust trading as BeGambleAware said they provided a brief to agencies where they insisted on safeguards including testing the ad with the target age range (15- to 24-year olds) to give assurance that the ad did not inspire
viewers to gamble, or was too unnerving and therefore would obscure the message, or to be mistaken for ads against gambling, rather than about the risks of problem gambling. They said in the light of the classifications given by British Board of
Film Classification (BBFC) and Cinema Advertising Agency (CAA), they decided to target only 18s or over with the ad. They said they deliberately only agreed to show the ad in cinemas before the film Trainspotting 2, an 18+ rated film about hard
drug addiction. They argued that public awareness about problem gambling justified and outweighed any potential for offence that might be caused.
They also provided a statement issued by the BBFC about the content of the ad which said In the public information film a woman lies on a bed in a sparsely furnished, rather bleak bedroom as a man sits on a desk, which is set back from the bed.
The two characters do not have any physical contact and only the man speaks. The man encourages the woman to gamble by persistently reminding her of the buzz it offers and by suggesting that she deserves a little bit of fun. The woman is
conflicted as to whether or not to give into her desire to gamble. Whilst she is reluctant, worried and nervous at the beginning, following the man's persistent exhortations, she smiles, puts aside her qualms, opens her laptop (which appears where
the man was seated), and logs onto an online gambling site. The suggestion of inner turmoil and conflicted feelings on her part, as well as some slightly creepy aspects to the man's monologue on the pleasures of gambling mean the film was most
appropriately placed at PG for the mildly unsettling tone and for the suggestion of addiction-related psychological turmoil. The BBFC also noted that the film contains a strong anti-gambling message.
The Cinema Advertising Association (CAA) said they approved the ad on the condition of its being restricted to screening with 12A films and above.
ASA Assessment: Complaint upheld
The ASA considered that until the reveal in the final moments of the ad, viewers were unlikely to understand what the ad was promoting. We considered that, after the reveal, most viewers would understand that the male character was a metaphor or
representative of an inner monologue. We noted that the advertiser's intention was to demonstrate a woman in her bedroom battling against the urge to gamble online, but we considered that for much of the ad this purpose was ambiguous and unclear.
We acknowledged the CAA's view that there were parallels drawn between sexual seduction and being seduced by the thrill of an early win on a gambling site. That view was supported by the threatening and coercive language used, the predatory manner
by which the monologue was delivered and the female character's positioning and behaviour, indicative of fear and shame. However, we considered that up until the reveal there was no information or other explanatory features in the ad that would
provide the viewer with context for why they were viewing what they were viewing. We considered that, because of the lack of context, the ad reproduced a scenario of abuse. We considered that viewing such a scenario of abuse, notwithstanding the
use of metaphor and the fact the ad was only seen before the film Trainspotting 2 which was about drug addiction, was likely to cause serious or widespread offence.
We also considered that viewers would find the sexually coercive and abusive scenario shocking and distressing and that victims/survivors of abuse would find the ad highly distressing and/or traumatic. We did not consider that the advertiser's
intention (as presented in the ad) justified the distress experienced by viewers generally, and the distress caused to this vulnerable group in particular.
We therefore concluded that the ad was offensive and breached the Code. The ad must not appear again in its current form. We told Responsible Gambling Trust to avoid using similarly offensive and distressing material in their future advertising.
A Danish man who posted a video of himself burning the Quran on Facebook will not stand trial after politicians abolished an outdated blasphemy
The man was seen setting a large leather-bound copy of the holy book alight in a four-minute clip called Consider your neighbour: it stinks when it burns.
He faced up to four months in prison after prosecutors were alerted to the footage, which was posted to a Facebook group called Yes to freedom -- no to Islam in December 2015. They brought blasphemy charges under clause 140 of Denmark's
penal code, which bars people from publicly insulting or degrading religious doctrines or worship.
But the case has been dropped after Danish MPs revoked the 334-year-old legislation, and declared they do not believe that there should be special rules protecting religions against expressions. MP Bruno Jerup told the Jyllands-Posten newspaper:
Religion should not dictate what is allowed and what is forbidden to say publicly. It gives religion a totally unfair priority in society.
Threatening or degrading behaviour based on people's religious beliefs will still be punishable under other Danish laws.
In response to recent boycotts by high profile advertisers, YouTube has clarified its censorship rules to enable video-makers to know which
content it considers to be advertiser-friendly.
In a blog post, the video-sharing website said it would not allow adverts to appear alongside hateful or discriminatory content. It will also refuse to place ads next to videos using gratuitously disrespectful language that shames or insults an
individual or group. The guidelines also discourage film-makers from making inappropriate parody videos using popular family entertainment characters.
YouTube has detailed new censorship rules in a blog post:
Hateful content: Content that promotes discrimination or disparages or humiliates an individual or group of people on the basis of the individual's or group's race, ethnicity, or ethnic origin, nationality, religion, disability, age,
veteran status, sexual orientation, gender identity, or other characteristic associated with systematic discrimination or marginalization.
Inappropriate use of family entertainment characters: Content that depicts family entertainment characters engaged in violent, sexual, vile, or otherwise inappropriate behavior, even if done for comedic or satirical purposes.
Incendiary and demeaning content: Content that is gratuitously incendiary, inflammatory, or demeaning. For example, video content that uses gratuitously disrespectful language that shames or insults an individual or group.
However, the announcement has met with some criticism from video makers. Captain Sauce, pointed out that the algorithm used to detect whether a video may contain inappropriate content was not perfect.
Whilst Eugenia Loli pointed out that mainstream news networks often post inflammatory studio debates that could be judged incendiary and demeaning, while music videos often pushed the boundaries of sexually-explicit content, but these still
carried advertisements. He wrote:
Why punish the little guy, but not the big networks? This is a double standard.
Wonder Woman is a 2017 USA action Sci-Fi fantasy by Patty Jenkins.
Starring Gal Gadot, Chris Pine and Robin Wright.
Before she was Wonder Woman, she was Diana, princess of the Amazons, trained to be an unconquerable warrior. Raised on a sheltered island paradise, when an American pilot crashes on their shores and tells of a massive conflict raging in the
outside world, Diana leaves her home, convinced she can stop the threat. Fighting alongside man in a war to end all wars, Diana will discover her full powers and her true destiny.
Lebanon, which is officially still at war with Israel, has banned Wonder Woman from showing in the country's cinemas because the film's lead actress, Gal Gadot, is Israeli.
Lebanon's Ministry of Economy issued the ban just before the film was scheduled to premiere in Lebanon. The film had been promoted around Lebanon and had been awarded a film certificate from the country's film censor. But a protest movement called
Campaign to Boycott Supporters of Israel-Lebanon pressured the government into banning the film, describing it as the Israeli Soldier film.
Gadot, who is from Tel Aviv, was a combat trainer in the Israeli Defence Force (IDF) for two years and crowned Miss Israel at age 18. The Campaign had previously tried to block Lebanon's screenings of Batman v Superman, which also features Gadot
as Wonder Woman, but was unsuccessful.
Gadot's rising star power has also brought attention to her politics. Shortly after being named as Wonder Woman, Gadot highlighted her experience with the IDF in a 2014 Instagram post. Below a picture of herself praying with her daughter, Gadot
I am sending my love and prayers to my fellow Israeli citizens. Especially to all the boys and girls who are risking their lives protecting my country against the horrific acts conducted by Hamas, who are hiding like cowards behind women and
children ... We shall overcome!!! Shabbat Shalom!