The
US passed a 1999 federal law that makes it a crime to sell, create or possess
videos and other depictions of cruelty to animals for commercial use. Violators
are subject to up to five years in prison for each count as well as fines.
A case arose in 2004, when Robert J. Stevens of Virginia was sentenced to 37
months in prison by a federal court in Pennsylvania for selling videos that
showed pit bulls fighting and training to hunt wild boar. Stevens is not accused
of organizing dogfighting, and in a book he wrote about raising pit bills as
pets and working dogs, Dogs of Velvet and Steel, he argues against the
practice.
Last summer, the Third Circuit Court of Appeals in Philadelphia overturned
Stevens' conviction, saying both the law and its application were
unconstitutional.
Now the Obama administration are pursuing the law and are taking the case
against Stevens to Supreme Court where the U.S. v. Stevens is scheduled for
argument on Tuesday, October 6, 2009.
The National Coalition Against Censorship, joined by the College Art
Association, warned that a law banning depictions of animal cruelty violates the
First Amendment right to free speech and that the exemption it provides for work
with serious value rings hollow, given the long history of censorship of
disturbing or unpopular images.
In defending the law, the Obama Administration is making the unlikely claim that
local prosecutors and juries can be trusted with the power to decide whether
certain words and images are worthy of First Amendment protection. Even more
disturbingly, the government asserts that speech rights can be limited to
promote a social interest in order and morality, and that the
Constitution only protects material with serious social value that serves
a higher purpose.
The road to censorship is paved with good intentions said Joan E. Bertin,
Executive Director of the National Coalition Against Censorship. The
assertion that free speech rights depend on 'balancing of the value of the
speech against its societal costs,' could threaten a vast array of material that
is currently considered protected expression.
The government could argue, as it has with regard to depictions of animal
cruelty, that flag burning, as well as some video games, rap music, and videos
are not protected by the First Amendment because their social costs outweigh
their value. This would overturn more than half a century of First Amendment law
holding that even material with no discernible social value is, in the words of
the Court, 'as much entitled to the protection of free speech as the best of
literature.'
NCAC, which tracks and responds to censorship incidents around the country,
provided numerous examples in its brief of works of art that were initially
scorned but were later deemed to be groundbreaking and influential, from the
Impressionist school to Marcel Duchamp to Andy Warhol. The brief also offers
examples of art works containing images of animal cruelty that are directly
threatened by this law, including Blood Orgies by Austrian artist Hermann Nitsch,
in which ritualistic performances combine fake crucifixion with the
disemboweling of lambs and other animals; as well as controversial work by
French Algerian artist Adel Abdessemed and Belgian artist Wim Delvoye.
These and other similar artists, and anyone who buys or displays their work,
would be at risk for prosecution. Even though their work has been shown in major
museums and art venues around the world, juries could still conclude that it
lacks serious value. The law invites subjective judgments about what work has
serious value and creates a real risk that it will be used to punish the
expression of ideas that are unpopular, unwelcome, or unfamiliar, NCAC said in
its brief.
The fact that we have determined as a society that animal cruelty should be
prohibited does not mean that speech about animal cruelty or images of such acts
can be similarly prohibited, said Svetlana Mintcheva, Director of Programs
for NCAC and an author of Censoring Culture: Contemporary Threats to Free
Expression. Indeed, a core purpose of the First Amendment is to protect
the right to express odious or offensive ideas or ideas that undermine moral and
legal norms. We don't have to like the work and may even condemn it from an
ethical standpoint – criminalizing it, however, forecloses an important
discussion.
Mintcheva noted that the law threatens not only artists but also journalists,
photographers, television and film producers, scientists, academics, and others
if their works—despite having serious value when considered as a
whole—contain depictions of animal cruelty that juries may find lack such value
when viewed in isolation. For instance, video footage of a bullfight from a
travel documentary on Spain, when viewed without the context of the program,
would by definition be grounds for prosecution since it depicts animal harm that
is illegal in this country